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The Lens

[ ENTERTAINMENT INDUSTRY INSIGHTS ]

  • READ TIME: 3 min.
  • CONTRIBUTORS: Michaela McIntyre, Nick Jekyll, Emma Bartholomew
  • BRANDS: IMG, Arsneal FC

Marketing to maniacs: why sport is the last great frontier for brand culture

[Paper]

[ Executive summary ]

Sport is one of the last truly shared cultural experiences.

It is live, unscripted and deeply emotional, and fans don’t just watch it, they belong to it. That gives brands a rare environment: loyalty is irrational, attention is unforced, and the community already exists.

At Advertising Week 2026, Michaela McIntyre (SVP Marketing, IMG) and Nick Jekyll (Co-Founder, Paradise) joined moderator Emma Bartholomew on stage to unpack how brands earn their place in sport culture. This paper turns that conversation into a practical framework for moving from passive sponsorship to genuine cultural participation.

Wide shot of the Innovation Stage at Advertising Week Europe 2026 during the Paradise and IMG panel on sport fandom.
Fig. 01 — Emma Bartholomew, Nick Jekyll and Michaela McIntyre on the Innovation Stage, Advertising Week Europe 2026

About the speakers

Michaela McIntyre — SVP Marketing, IMG

IMG is a global sports marketing agency, rights holder (World’s Strongest Man, HSBC Women’s Championship, Formula Drift) and broadcaster (Sport 24). That 360-degree view of the sports ecosystem gives Michaela a uniquely informed perspective on fandom.

Nick Jekyll — Co-Founder, Paradise

Paradise builds brands through culture, experience and merch. Nick and his team help brands show up in ways people actually want to engage with, keeping the fan and the story at the centre of every brief.

Michaela McIntyre of IMG, Emma Bartholomew and Nick Jekyll of Paradise at Advertising Week Europe 2026.
Michaela McIntyre (IMG), Emma Bartholomew and Nick Jekyll (Paradise)
250 Clubs, federations, teams and brands IMG works with
18YRS IMG and HSBC on the Women’s Championship
365DAYS The length of a fan’s season
Chapter one

What fandom really means in 2026

‘Fandom’ gets used loosely in marketing. In 2026, according to Michaela, it has moved beyond what you watch or follow. It has become part of who you are.

Sport really says something about who I am. The sport, the team, the players that I follow are part of my identity.

— Michaela McIntyre, SVP Marketing, IMG

Four things make sport fandom different from any other kind of cultural loyalty.

Multi-generational

Music taste shifts between generations. Three or four generations of one family can share the same team.

Participatory

Fans feel like contributors, not observers. Your cheer, your ritual, your presence might just change the result.

Scheduled

Fans calendar it. Appointment-to-view is rare in a world of on-demand everything.

Loyal under pressure

In FMCG, a rival’s promotion can switch preference overnight. In sport, a losing run makes fans more committed, not less.

Audience applauding the sport fandom panel at Advertising Week Europe 2026.
A full house for the session at Advertising Week Europe 2026

Fandom is who actually cares. If they’re just an onlooker, that’s not really fandom. That’s just an ad.

— Nick Jekyll, Co-Founder, Paradise
Reach Who knows

Awareness. People have seen your name. Useful, but it doesn’t make anyone care.

Fandom Who cares

Belonging. People feel part of something. This is where brands want to be.

Chapter two

Beyond the logo: earning your place in culture

The panel was clear: logo placement as a strategy is over. Logos still matter, but they are a by-product of something deeper, not the goal.

The problem with tactical briefs

Nick sees the same issue again and again on the agency side: briefs that jump straight to deliverables. Every screen placement and media wall mention is listed, but nothing about the emotional connection the brand wants to make. That produces tactical work, not cultural work.

An activation should be experienced, not just announced.

— Nick Jekyll, Co-Founder, Paradise
Nick Jekyll, Co-Founder of Paradise, speaking on stage at Advertising Week Europe 2026.
Nick Jekyll, Co-Founder, Paradise

The best brands start from a different question. Not “how many times will our logo be seen?” but “how are we adding to this experience?”

The Three E framework

Michaela offered a simple test for any brand engaging with sport or culture. Before committing to a sponsorship or activation, which of the three E’s are you delivering?

Elevate

Does our involvement raise the quality or prestige of the experience for fans?

Educate

Are we teaching fans something new and deepening their connection to the sport?

Entertain

Are we adding genuine joy, surprise or delight?

None of the three? It’s just an ad.

Three partnerships getting it right

Hennessy × NBA

Partners since 2020, Hennessy went grassroots instead of courtside, working with local artists and creators to restore neglected basketball courts across North America.

Spotify × FC Barcelona

Spotify uses its shirt sleeve to promote artists, not sign-ups, giving fans something culturally relevant. It also brings talent to Barcelona and builds fan experiences around match day.

HSBC × Women’s Championship

An 18-year relationship with IMG, reimagined every year: a luxury jewellery client designed the winner’s necklace, and junior golf programmes grow the sport in Singapore. HSBC has renewed for five more years.

Chapter three

Fandom is year-round

Brands that only show up on match days or during tournaments miss most of a fan’s emotional life with their sport. Fandom runs 365 days a year.

If you disappeared tomorrow as a brand, would fans even notice? The best brands create things fans would want regardless.

— Michaela McIntyre, SVP Marketing, IMG
Michaela McIntyre, SVP Marketing at IMG, speaking about sport fandom at Advertising Week Europe 2026.
Michaela McIntyre, SVP Marketing, IMG

Arsenal’s content universe

Both speakers pointed to Arsenal. Rather than rely on rented channels like Instagram, the club launched its own app to own the relationship with fans directly, and filled it with formats fans actually want.

Format What it is
The Big Match A ‘blind date’ pairing two Arsenal fans to watch a match together, filmed and documented
The Saka Series Bukayo Saka interviewing figures from sport, music, film and fashion
Captain documentary An inside look at the Arsenal captain’s leadership philosophy

Everything is released exclusively through the club’s own platform. Sponsors such as L’Oréal are built into the content, reaching fans in high-attention, high-trust moments instead of interrupting a broadcast.

Chapter four

Technology as a fan experience enabler

Technology is reshaping fan experience, but both speakers were clear that tech for its own sake is never the answer.

What problem are we solving?

Gamification and personalisation

Give fans something to do, try or win and they become participants. Let them put their stamp on merch or an experience and it becomes theirs.

Immersion: Warner

Paradise’s current Warner project raises dwell time with character-led choices: choose your wand, try on a cape. Visitors buy into the world instead of watching it.

Community: Street FC

An app that simply connects people for weekly five-a-side games. Nothing whizzy, but it creates the conditions to belong, which is the core of fandom.

Paradise Presents: Unlocking Real Fandom in Sport and Entertainment on the Innovation Stage, Advertising Week Europe 2026.
Paradise Presents: Unlocking Real Fandom in Sport and Entertainment, on the Innovation Stage
Chapter five

How brands earn the right to be here

One phrase kept coming back: earning the right. Buying a sponsorship isn’t enough. Neither is a logo on a backboard. The brands that cut through in sport culture have done the relationship work first.

Layers of truth

Nick describes a brand’s story as something that should feel more coherent and credible the closer you get to it.

  1. The ad Gets you in the door
  2. The website Deepens the story
  3. The activation Makes you believe it
  4. Every layer Confirms the brand is genuine

This matters most when a team is struggling. Asked by a Spurs fan in the audience how sponsors should respond to a bad run, Michaela was direct.

If you’ve already built community, if you’ve already created content that reflects what it feels like to be a fan, then you’ve earned the right to show up when things are hard.

— Michaela McIntyre, SVP Marketing, IMG

Brands with real fan relationships can use hard moments to deepen loyalty: helping fans show support, documenting it, connecting fans to players, and holding the community together when results disappoint.

The symbiotic model

Michaela describes the ideal as a triangle of brand, rights holder and fans, with each partner playing its part. Remove one corner and the work suffers.

The rights holder

Helps the sponsor understand its fans and devise activations that will land.

The agency

Brings creative vision and consumer insight.

The brand

Brings resource, values alignment and long-term commitment.

Seven takeaways for marketers

For anyone briefing, commissioning or executing brand activity in sport, or any passion-led cultural space.

  1. Start with the audience, not the asset

    What do fans take away? What’s the emotional outcome? Deliverables should follow those answers, not lead them.

  2. Apply the Three E’s

    Elevate, educate or entertain. If an activation does none of these, it isn’t fandom. It’s an ad.

  3. Show up in the gaps

    Fandom is year-round. The most valuable moments happen between the big fixtures.

  4. Build layers of truth

    Stories that reward a closer look build the trust that turns sponsorship into cultural credibility.

  5. Use technology to enable belonging

    The best fan tech creates participation and community, not spectacle.

  6. Earn the right before the moment arrives

    Brands that invest in fans before a crisis or a loss are the ones that matter when it comes.

  7. Push back on the brief

    Good agencies and rights holders help brands ask harder questions and find the story worth telling.

Beneath the strategy and the frameworks, fandom is simple. Humanity connects us all, as audiences, as fans and as the brands that want to matter to them.

People want to belong to something.